Tony Stephens

In the 18th century, relatively unskilled craftsmen produced beautifully painted enamels using transfers of images created by highly skilled artists. On reading Susan Benjamin's English Enamel Boxes, I began to wonder whether it might be possible to resurrect the 18th century technique of transferring engraved images to enamel. My motivation was the thought that even my modest engraving skills might produce better artwork than I could produce by free-hand.

At a Region 1 Guild meeting in Edinburgh in Oct 2000, I mentioned to fellow Guild member Brian Moore that I had failed to pick up clean images from engravings. Brian told me that, not only had he been able to replicate the 18th century technique, but thought that it might be possible to produce the same results in a much simpler way, using an inkjet printer. I was instantly intrigued by this idea, for it promised the possibility of using an infinitely wider source of material for artistic inspiration, - the camera, the scanner and the internet. In writing this article I cannot claim any credit for the idea (which is Brian's) or escape criticism for any deficiencies in the execution.

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